Saudi American Furniture Manufacturing Company
The latter half of the nineteenth century reveals a further expansion of the Renaissance, the Renaissance Revival style (1850–85) emerging as early as the 1850s.
The Saudi Company, inspired by Renaissance architecture, American furniture from this movement is characterized by massive square architectural forms, broken arches, applied medallions, oak trim, and stepped legs. Porcelain, bronze, and mother-of-pearl panels were popular motifs, walnut was the most popular wood, with some veneer introduced as a surface decoration, and light woods were preferred as a reaction to the darker woods prevalent in Empire styles.
While it is tempting to think of the 19th century as the "Victorian" century, in terms of furniture, it actually reflects the changing technology of the time, as the country grew from a small, mostly agricultural, community to an international industrial powerhouse. Furniture was increasingly produced by machine rather than by hand.
Saudi American Furniture Manufacturing Company
The headquarter of the company is located in Riyadh and the company works to provide the best types of American furniture, which are made of high materials, high quality and at very competitive prices.
Major periods of American furniture
William and Mary
This is the oldest model of furniture produced domestically, with pieces generally dating between 1680 and 1730.
The period is named after the co-regents of England in the late seventeenth century, William III of Orange and Mary II; During their reign, many craftsmen immigrated to England from William's native Holland, creating a new Anglo-Dutch style that was a fusion of the tastes of both countries.
In the newly established colonies, a variation of this Anglo-Dutch trend developed, characterized by Baroque aesthetics characterized by elaborate reversals, intense curves, and contrasts in colour, as well as case pieces with simple flat surfaces and architectural ornamentation.
Commonly used materials include walnut, oak, pine, and native maple. Furniture from this period is scarce, as production at the time was limited - a result of the relatively small population.
Queen Anne
This style follows the period of William and Mary and is named after the English monarch who ruled from 1702 to 1714, and popular in the American colonies from about 1730 to 1760, furniture of this era has a sophisticated fluidity, achieved through the use of newly introduced cabriole feet, and curved chair legs , shells, decorative baffles, or scroll-like shapes.
The expansion of urban centers during the period gave rise to strong regional traits, and the most famous and accomplished furniture was produced in Newport, Rhode Island, and Philadelphia, where dense mahogany was used to produce expertly carved chairs, tea tables, and high chests of drawers for the emerging elite.
Chippendale
Chippendale furniture, produced from about 1755 to 1780, is a natural evolution of the Queen Anne style, with many pieces based on designs in Thomas Chippendale's The Gentleman and Cabinet Maker's Director, first published in England in 1754.
The style combines decorative elements from three distinct sources: French Rococo, Chinese ornament, and Gothic architectural details. In general, Chippendale is characterized by an abundance of carving, mostly on mahogany, with features including acanthus - a leaf-like ornament - opposite to the "C" coil. , zigzag decorations, rocaille on the splat (the central support plate of a chair's back), the knees and skirts (or horizontal fronts) of chairs and case pieces, which often sit on ball and claw feet.
On plots of Philadelphia, Newport, Boston, New York, and Connecticut, regional features became more pronounced.
In these urban centers, the rise of the upper class gave rise to sophisticated cabinetmaking workshops, which employed highly skilled sculptors, often trained in England.
In Newport, three generations of the Goddard and Townsend families have produced furniture of exceptional quality and artistry.
In Philadelphia, cabinetmakers including Thomas Affleck, Benjamin Randolph, Thomas Carterett, and Henry Clifton worked alongside sculptors such as Hercules Courtenay, Nicholas Bernard, and John Pollard to create spacious suites of furniture for the city's merchant elite.
federation
The neoclassical style, introduced in England by Robert Adam, George Hepplewhite, and Thomas Sheraton, flourished in America from about 1780 to 1820, during what became known as the "Federal" period.
Furniture produced during this time developed greatly, in terms of style and form, cabriole legs, in the form of two curves, giving way to streamlined, straight legs and various inlays, which were preferred over carved decoration.
Dressing tables and high chests of drawers are gone, while new forms have been introduced such as the sideboard, tambourine desk (with desk drawers and bathroom openings) and workbench.
classic
The Classical style is the last traditionally collected by Americana collectors, and flourished from the 1820s to the 1840s, and works from that period were usually larger in size, with makers favoring unadorned and veneered surfaces, which drew inspiration from furniture from the French Restoration period.
Case pieces are often created with 'S' and 'C'-scroll columns. The most important center of production was New York, where well-known business maker Duncan Phyfe now competed with start-ups including Joseph Meeks & Sons.
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